THE IMPACT OF NIGERIAN NATIONAL THEATRE AS A VEHICLE FOR CULTURAL PROMOTION AND COMMERCIAL VENTURE

 

Table Of Contents


Chapter ONE

INTRODUCTION

  • 1.1Introduction
  • 1.2Background of study
  • 1.3Problem Statement
  • 1.4Objective of study
  • 1.5Limitation of study
  • 1.6Scope of study
  • 1.7Significance of study
  • 1.8Structure of the research
  • 1.9Definition of terms

Chapter TWO

LITERATURE REVIEW

  • 2.1Overview of Nigerian National Theatre
  • 2.2Historical Development of Nigerian National Theatre
  • 2.3Cultural Promotion through Nigerian National Theatre
  • 2.4Commercial Ventures at Nigerian National Theatre
  • 2.5Impact of Nigerian National Theatre on Local Artists
  • 2.6International Collaborations of Nigerian National Theatre
  • 2.7Challenges faced by Nigerian National Theatre
  • 2.8Success Stories of Nigerian National Theatre
  • 2.9Comparison with other National Theatres
  • 2.10Future Prospects for Nigerian National Theatre

Chapter THREE

RESEARCH METHODOLOGY

  • 3.1Research Design
  • 3.2Data Collection Methods
  • 3.3Sampling Techniques
  • 3.4Data Analysis Procedures
  • 3.5Research Ethics
  • 3.6Research Limitations
  • 3.7Timeframe for the Study
  • 3.8Budgetary Considerations

Chapter FOUR

DATA PRESENTATION AND ANALYSIS

  • 4.1Overview of Research Findings
  • 4.2Cultural Impact of Nigerian National Theatre
  • 4.3Economic Impact of Nigerian National Theatre
  • 4.4Socio-Political Impact of Nigerian National Theatre
  • 4.5Audience Perception and Engagement
  • 4.6Recommendations for Improvement
  • 4.7Comparison with Research Objectives
  • 4.8Future Research Directions

Chapter FIVE

SUMMARY, CONCLUSION AND RECOMMENDATIONS

  • 5.1Summary of Findings
  • 5.2Conclusions Drawn
  • 5.3Contributions to Knowledge
  • 5.4Practical Implications
  • 5.5Recommendations for Stakeholders
  • 5.6Areas for Future Research
  • 5.7Reflection on Research Process
  • 5.8Final Thoughts and Acknowledgments

Project Abstract

<p>Africa has variety of Arts, craft and Religion which had contributed to the popularity of its society. From the<br>investigations made by archaeologists and anthropologists into the life of the people over the years, Art and<br>religion had played major roles in the development of the continent in the past and present life of the people.<br>The African masks which were used for religious and social purposes pioneered the European art. Picasso and<br>other artists preferred it to artistic expression of the classical and Renaissance art. According to Smeets (1975)<br>β€œour generation, in fact has only just discovered the magnificence of the so-called primitive cultures. In the<br>Paris of the young Picasso and Breque, African masks and sculpture had the impact of thunder.”<br>In Nigeria some early artifacts which were collected by K.C. Murray and some excavations which revealed the<br>Nok, Igboukwu and Ife artifacts to mention but a few gave insight into the rich heritage of Art objects, religion<br>and cultural practices which made the society a dynamic socio-cultural religious entity.<br>The ancestors of the Nigerian ethnic groups bequeathed objects especially sculptural forms in wood, metal, ivory<br>and terracotta. According to Eze (2008) β€œThese materials were used by early sculptors using simple tools and<br>hands to turn them into sculptural pieces.” Symbolism was the driving force which produced the art works that<br>were used for utility, religious worship and the development of the ethnic groups.<br>Art, religion and the development of Nigerian ethnic group is not separated from each other. They compliment<br>each other and keep the traditional society going and alive. Anyachonkeye (2006) states Our people are guided by their ethos, the things they value and revere. They are firm believers in their cultural heritage the things that hold and bind them together. The norm and moral ethics can not be extricated from their material and non-material culture-morals, religion, food habit, dialect, values system and others.<br>Many Nigerian traditional ethnic groups in effect practiced art and religion in order to communicate with their<br>gods because of their belief in the human soul and spirit which are ever at work. Some of these gods were<br>worshiped in shrines with art objects. This kept the societies intact and developed.<br></p>

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