AN EVALUATION OF DECORATED TRADITIONAL CLOTH USED IN TIV CULTURAL ACTIVITIES

 

Table Of Contents


  • Table of Contents

Chapter ONE

INTRODUCTION

  • 1.1Introduction
  • 1.2Background of Study
  • 1.3Problem Statement
  • 1.4Objective of Study
  • 1.5Limitation of Study
  • 1.6Scope of Study
  • 1.7Significance of Study
  • 1.8Structure of the Research
  • 1.9Definition of Terms

Chapter TWO

LITERATURE REVIEW

  • 2.1Evolution of Traditional Cloths
  • 2.2Cultural Significance of Traditional Cloths
  • 2.3Historical Context of Decorated Traditional Cloths
  • 2.4Types of Decorations on Traditional Cloths
  • 2.5Preservation Techniques for Traditional Cloths
  • 2.6Contemporary Use of Traditional Cloths
  • 2.7Economic Impact of Traditional Cloths
  • 2.8Social Implications of Traditional Cloths
  • 2.9Technological Advances in Traditional Cloth Making
  • 2.10Global Influence on Traditional Cloth Designs

Chapter THREE

RESEARCH METHODOLOGY

  • 3.1Research Design and Methodology
  • 3.2Selection of Sample Population
  • 3.3Data Collection Methods
  • 3.4Data Analysis Techniques
  • 3.5Ethical Considerations
  • 3.6Validity and Reliability of Data
  • 3.7Limitations of the Research Methodology
  • 3.8Triangulation of Data Sources

Chapter FOUR

DATA PRESENTATION AND ANALYSIS

  • 4.1Analysis of Decorated Traditional Cloths
  • 4.2Comparison of Traditional Cloth Designs
  • 4.3Cultural Perspectives on Traditional Cloths
  • 4.4Interpretation of Symbolism in Traditional Cloths
  • 4.5Consumer Preferences for Traditional Cloths
  • 4.6Artistic Value of Decorated Traditional Cloths
  • 4.7Sustainability of Traditional Cloth Making
  • 4.8Future Trends in Traditional Cloth Industry

Chapter FIVE

SUMMARY, CONCLUSION AND RECOMMENDATIONS

  • 5.1Summary of Findings
  • 5.2Conclusion
  • 5.3Recommendations for Future Research
  • 5.4Implications for Cultural Preservation
  • 5.5Contribution to the Field of Textile Studies

Project Abstract

<p>The study evaluated the decorated traditional cloth used in Tiv cultural activities in Benue State, Nigeria. The aim of the study was to establish the aesthetic value of Tiv traditional cloth used in cultural activities, while the objectives are to find out the educational value of Tiv traditional cloth; examine the symbolic meanings of black and white colour; and evaluate the use of the Tiv traditional cloth. To facilitate the study, three research questions were raised and answered. Related literature based on conceptual framework were reviewed which served as a road-map for the study. The survey research design was used for the study. A sample of 140 weavers was used for the study. A structured questionnaire developed by the researcher was used in collecting data from the respondents. The data collected were analysed using mean and standard deviation. From the analyses of the data, the findings showed that there is high educational value of cultural activities in relation to the black and white colours that are used on decorated Tiv traditional cloth. The black and white colours symbolize peace, fertility of the soil, harmony, authority, beauty and excellence. In addition, the usage of the decorated traditional cloth among the Tiv clan community include rituals, identity, burial ceremonies, initiation and gift. It is recommended among others that workshops and seminars be organized for weavers to adopt advanced weaving skills for mass production of decorated Tiv traditional cloth and that youth should be encouraged to use the traditional cloth to project Tiv culture and values more than it is being done currently.<br><br><br></p>

Project Overview

<p>The thematic preoccupation of this chapter is an evaluation of the Tiv Traditional Decorated Cloth used in cultural activities in Benue State, Nigeria. Highlighted in the chapter are: background of the study, statement of the problem, purpose, research questions, significance, and scope of the study.<br><br>The Tiv traditional cloth is woven in predominately black and white with a manually designed loom. Although tie and dye and batik designs are veritable means that produces beautiful colours, Igirgi (2007), research has revealed that, Tiv textile industry depends excessively on local materials of „Beba‟ with the addition of „Kawa‟ that produce the black colour. While the white colour is obtain by maintaining the natural white colour of the cotton wool used. Advances in Technology have made it possible to change the difficulty and complexity often encountered in local production of colour. Colours are imported for use for tie and dye and batik design. Advances in technology have also made it possible to produce materials like black and white thread and other related colours, instead of using the old system of producing materials directly from back of trees, plant, leaf and earth (clay).<br></p>

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