The ugie ivie festival of beads of benin

 

Table Of Contents


Chapter ONE

INTRODUCTION

  • 1.1Introduction
  • 1.2Background of study
  • 1.3Problem Statement
  • 1.4Objective of study
  • 1.5Limitation of study
  • 1.6Scope of study
  • 1.7Significance of study
  • 1.8Structure of the research
  • 1.9Definition of terms

Chapter TWO

LITERATURE REVIEW

  • 2.1Historical Evolution of Beads
  • 2.2Cultural Significance of Beads
  • 2.3Traditional Bead Making Techniques
  • 2.4Symbolism of Beads in Benin Culture
  • 2.5Economic Importance of Beads
  • 2.6Beads in Benin Kingdom History
  • 2.7Bead Trade Routes in Africa
  • 2.8Beads in Contemporary Fashion
  • 2.9Beads in Art and Craft
  • 2.10Beads Conservation and Preservation

Chapter THREE

RESEARCH METHODOLOGY

  • 3.1Research Design
  • 3.2Data Collection Methods
  • 3.3Sampling Techniques
  • 3.4Data Analysis Procedures
  • 3.5Ethical Considerations
  • 3.6Research Limitations
  • 3.7Instrumentation
  • 3.8Research Validity and Reliability

Chapter FOUR

DATA PRESENTATION AND ANALYSIS

  • 4.1Overview of Findings
  • 4.2Bead Manufacturing Techniques
  • 4.3Bead Utilization in Benin Culture
  • 4.4Economic Impact of Beads
  • 4.5Contemporary Trends in Bead Usage
  • 4.6Challenges in Bead Preservation
  • 4.7Cultural Significance of Bead Designs
  • 4.8Comparison with Other Bead Cultures

Chapter FIVE

SUMMARY, CONCLUSION AND RECOMMENDATIONS

  • 5.1Summary of Findings
  • 5.2Conclusion
  • 5.3Recommendations for Future Research
  • 5.4Implications for Bead Industry
  • 5.5Contribution to Benin Culture Preservation

Project Abstract

<p> </p><p>This study examines the Oba of Benin Royal Ugie ivie festival, which is an annual religious and cultural event celebrated by the Benin speaking people of Edo State, Nigeria. As a communal and spiritual activity, the Oba and people of Benin kingdom mark the Ugie festivalswith Musical and dance performances. Within this context, the study adopts the historical and participant approaches as its method of contending that some events during the Oba of Benin Royal Ugie festival ceremonies are colorful theatrical performances. The organizational structure of the Oba of Benin Palace as it relates to the observance of Ugie festival ceremonies is also discussed in this research. This study also examines the role Ewini music plays in the various Oba of Benin Royal Ugie festival ceremonies, thereby looking at its origin, socio-cultural context, formation procedure, instrumentation, and organizational set-up. This work takes an overall look at Ugie (festivals) ceremonies in the Royal Court of Benin, and shows in chronological order the various constituents of the Ugie ceremonies. The project is broken into four distinct chapters for segmental appraisal of the subject matter.</p><p>Chapter one takes a general view at the topic term “Ugie” in an introductory note, as well as the statement of problems, objectives, scope, significance, limitation of the study and the organization of the study employed for the study. Chapter two x-rays the Benin palace as it relates to these Ugie ivie festivals in terms of structure, composition, societal groupings and their functions. And it also looks at the political organization and the administration of the Benin kingdom.</p><p>Chapter three examines and analyses the festival in terms of content, music, song, dance, audience, costumes, extent of participation and theatrical contents, such as the Ugie ivie rituals and plotting. Chapter four is conclusion.</p><p>&nbsp;</p><p>&nbsp;</p> <br><p></p>

Project Overview

<p> </p><p><strong>1.1.Background of the study:</strong></p><p>Every community has its own cultural norms and values that are imbedded in its beliefs. Within each cultural lies a set of values and norms that are ingrained and inculcated as religious acts through which particular people attempt to relate to the Supreme Being. The Benin’s are no exceptions in that they have within their culture and customs rich festivals that make them quite an interesting cultural group. One such ceremony that has remained with them for quite some time is the Oba of Benin Royal Ugie festivals that have continued to be a phenomenon and experience where traditional beliefs are at play and have withstood the test of time.</p><p>The various Ugie ceremonies commemorated by the Benin people sees the blending and marrying of the traditional religion and significant cultural practices in an attempt to relate these to the distant ancestral being; the ancestors though so distant, yet ever present in this life, are recognized as the sustainers of all things. There is no doubt that the religious functions attributed to the Ugie Igue-Oba festival itself are quite inspirational to the adherents as well as enriching as humanity attempts to relate to the divine being using the human’s cosmological experiences. Festivals are common features in world religions and cultures. They are occasions for commemorating certain events which are of vital importance to the celebrating community. The Benin’s religiously observe the Ugie ivie festival ceremonies as part of the physical attempt to communicate to their ancestors seeking for blessings, good health and prosperity. Benin people should not be disregarded for their own attempt to relate to god through the variousUgie ivie festival of beads. Rather such festival as part of ancestral veneration is in itself central to their life and worldview that will go a long way in enriching the discourse of African traditional festivals. Festivals in general are joyous occasions celebrated with specific aim or aims in view and, as such, they have beliefs attached to them. In African festivals and their celebrations, the connection between sacred symbols of culture, myths and ritual are put into practical expression. Some festivals occur at specific periods and follow certain calendar of event.</p><p>Rites and rituals of festivals are expressions of the people’s deep religiosity which is culturally transmitted in the process of celebrating festivals.</p><p>Ugie ivie festival is important in the life of the Oba and the people of Benin kingdom, the Oba’s continued health and prosperity as well as that of the people, which are firmly enshrined and founded on the various Ugie sacred ceremony and rituals. The focus of the Ugie feast is entrenched in the core foundation of ancestral reverence that can be best described as the</p><p>religious life of the Benin people.</p><p>Ugie is a general term in Benin kingdom for royal or palace ceremonies or festivals. At the end of each year the Oba (king) of the Benin kingdom celebrates Ugie ivie festivals in accordance with the Benin custom. As a religious and cultural festival, it is celebrated with pomp and grandeur; it marks the end of the Benin year and ushers in a new year with renewed hope for peace and prosperity. Of all the important royal Ugie ceremonies, the Igue-Oba ceremony is not only considered asthe most acclaimed. It is one singular event that creates a general sense of participation for all Edo people. The Igue-Oba activities do not only involve members of the palace societies, but also the whole Benin community.</p><p>The problem stated that This study takes a critical look at totality of Ugie ceremonies from the very beginning to the end, and also points out the stabilizing and unifying effects of the royal Ugie festival on the people and society. It will also give writers and scholars the opportunity of knowing the beneficial elements in the Oba of Benin royal annual Ugie festivals.</p><p><strong>1.2 Objectives of the study</strong></p><p>The researcher intends to undertake:</p><ul><li>A detailed study on the role and place of <em>Ugie </em>ivie coral bead in defining the socio-cultural, symbolism and religious meanings among <em>Benin </em>people.</li><li>A probe into the various <em>Ugie coral beads </em>ceremonies of the Royal court of <em>Benin</em>, to educate people that the <em>Igue </em>is not celebrated without the other <em>Ugie </em>ceremonies. And also to educate people and the society on how the <em>Ugie </em>in the Royal court is celebrated.</li><li>Documentation of the various <em>Ugie </em>festival ceremonies in <em>Benin </em>kingdom Edo State, Nigeria, thereby contributing to the growing knowledge of festivals in Nigeria, Africa and the world.</li></ul><p><strong>1.3 Scope of the study</strong></p><p>This study covers the <em>Ugie </em>ivie{coral}beads, dance, costumes and some other factors, which inform the structure and nature of the <em>Ugie</em>. The research will be limited to the <em>Benin </em>community and the <em>Oba’s </em>palace in <em>Benin </em>City, Edo State Nigeria.</p><p><strong>1.4 Significance of the study</strong></p><p>The necessity for this work is to research the structure of <em>Ugie ivie </em>in the royal court of <em>Benin</em>. The study will help to create a clearer picture on the role of beads and loyalty in the <em>Oba </em>of <em>Benin </em>annual <em>Ugie </em>festival and also serve as basis for further research.</p><p><strong>.1.5 Organisation of the study</strong></p><p>The Organization of this research was predominantly qualitative. Neuman (1997:419) maintains that, the difference between quantitative and qualitative research is that while the former deals with numbers, for the latter, data are in form of text, written words, describing or representing people’s behaviours and events in societal life. While Patton (2002:161) states that, qualitative research is appropriate because it has the ability to assess programs implementation. In addition to this, Leedy (2005:135) regard the qualitative approach as a valuable tool to evaluate and provide means through which a researcher can appraise the effectiveness of particular policies, practices or innovations. Carole and Chris (2005:109) assert that, qualitative approach is a text-based or non-mathematical analysis and interpretation of information. This approach aims to identify the who, what, when, why, and how of certain phenomena.</p><p><strong>1.6 Limitation of the study</strong></p><p>The limit of time, transportation fee and energy is required in funding this project and also the researcher carried out intensive investigation into the Benin palace, (physical) structure of the palace, and the different palace associations and their functions.</p> <br><p></p>

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