The development of cornstalk as a medium of painting

 

Table Of Contents


Chapter ONE

INTRODUCTION

  • 1.1Introduction
  • 1.2Background of Study
  • 1.3Problem Statement
  • 1.4Objective of Study
  • 1.5Limitation of Study
  • 1.6Scope of Study
  • 1.7Significance of Study
  • 1.8Structure of the Research
  • 1.9Definition of Terms

Chapter TWO

LITERATURE REVIEW

  • 2.1Overview of Literature Review
  • 2.2Theoretical Framework
  • 2.3Historical Perspectives
  • 2.4Current Trends in the Field
  • 2.5Gaps in Existing Literature
  • 2.6Conceptual Framework
  • 2.7Empirical Studies
  • 2.8Comparative Studies
  • 2.9Key Concepts and Definitions
  • 2.10Summary of Literature Review

Chapter THREE

RESEARCH METHODOLOGY

  • 3.1Research Methodology Overview
  • 3.2Research Design
  • 3.3Sampling Techniques
  • 3.4Data Collection Methods
  • 3.5Data Analysis Techniques
  • 3.6Research Ethics
  • 3.7Validity and Reliability
  • 3.8Limitations of Methodology

Chapter FOUR

DATA PRESENTATION AND ANALYSIS

  • 4.1Overview of Findings
  • 4.2Demographic Findings
  • 4.3Statistical Analysis Results
  • 4.4Qualitative Analysis Results
  • 4.5Comparison of Results with Hypotheses
  • 4.6Discussion of Key Findings
  • 4.7Implications of Findings
  • 4.8Recommendations for Future Research

Chapter FIVE

SUMMARY, CONCLUSION AND RECOMMENDATIONS

  • 5.1Conclusion and Summary
  • 5.2Summary of Findings
  • 5.3Contribution to Knowledge
  • 5.4Practical Implications
  • 5.5Recommendations for Practice
  • 5.6Recommendations for Policy
  • 5.7Areas for Future Research
  • 5.8Final Remarks

Project Abstract

<p> The general objective of this research was not only<br>to process cornstalk into tesserae for the production<br>of mosaics, but it also included the actual experimentation<br>with the processed cornstalk in the execution of works.<br>It sought to explore possibilities of discovering an<br>individual expression. The works were produced under the<br>broad outlines of representational and nonrepresentational<br>works. The representational works included realistic<br>studies of observed scenes; attempt at fusion of space<br>with silhouettes; and stylised representation of figures<br>in a mimesis of child art. The nonrepresentational works<br>on the other hand included the portrayal of basic<br>geometric shapes; compositions with emphasis on interaction<br>of colours; and improvisations using water in shaping<br>forms that were eventually rendered in tesserae.<br>It may be concluded from the experiences derived from<br>the execution of works that cornstalk provides many<br>opportunities for self expression. The type of work any<br>artist can produce with it is dependent on the ability<br>of the artist in shaping and sticking it unto a surface, <br></p>

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