Tapestry and rug knotted weave for interior decoration using the theme of giraffe in three dimensional form

 

Table Of Contents


Chapter ONE

INTRODUCTION

  • 1.1Introduction
  • 1.2Background of Study
  • 1.3Problem Statement
  • 1.4Objectives of Study
  • 1.5Limitation of Study
  • 1.6Scope of Study
  • 1.7Significance of Study
  • 1.8Structure of the Research
  • 1.9Definition of Terms

Chapter TWO

LITERATURE REVIEW

  • 2.1Overview of Tapestry and Rug Knotted Weave
  • 2.2History of Tapestry and Rug Making
  • 2.3Techniques Used in Tapestry and Rug Knotted Weave
  • 2.4Importance of Tapestry and Rugs in Interior Decoration
  • 2.5Design Elements in Tapestry and Rug Knotted Weave
  • 2.6Themes in Tapestry and Rug Making
  • 2.7Contemporary Trends in Tapestry and Rug Design
  • 2.8Cultural Significance of Tapestry and Rug Making
  • 2.9Sustainability in Tapestry and Rug Production
  • 2.10Future Prospects of Tapestry and Rug Industry

Chapter THREE

RESEARCH METHODOLOGY

  • 3.1Research Methodology Overview
  • 3.2Research Design and Approach
  • 3.3Data Collection Methods
  • 3.4Sampling Techniques
  • 3.5Data Analysis Procedures
  • 3.6Ethical Considerations in Research
  • 3.7Validity and Reliability of Data
  • 3.8Research Limitations and Challenges

Chapter FOUR

DATA PRESENTATION AND ANALYSIS

  • 4.1Data Presentation and Analysis
  • 4.2Interpretation of Findings
  • 4.3Comparison of Results with Existing Literature
  • 4.4Discussion on Design and Theme Choices
  • 4.5Impact of Three-Dimensional Form in Interior Decoration
  • 4.6Customer Preferences and Market Trends
  • 4.7Recommendations for Tapestry and Rug Manufacturers
  • 4.8Implications for Future Research

Chapter FIVE

SUMMARY, CONCLUSION AND RECOMMENDATIONS

  • 5.1Summary of Findings
  • 5.2Conclusion
  • 5.3Contributions to the Field
  • 5.4Practical Implications
  • 5.5Theoretical Implications
  • 5.6Recommendations for Practice
  • 5.7Recommendations for Further Research
  • 5.8Conclusion and Final Remarks

Project Abstract

<p> <em>This project report is an artistic rendition of a giraffe, using a combination of tapestry weaves and knotted rug weave. These weaves are manipulated and adapted for a sculpture tapestry. The exploration of sculpture tapestry is to broaden the mind of weavers on the use of tapestry beyond flooring and wall hangings for aesthetics and decorations, in places such as an office, houses, galleries among others. This project apart from its aesthesis value, also serves as means of documenting information</em> <br></p>

Project Overview

<p> </p><h2>INTRODUCTION</h2><p>Interior decoration is the beautification of the interior of a building, room, office, etc with regards to artistic effect. It is also the art of decorating a room so that it is attractive, easy to use and functions well with the existing architecture. The goal of this is to provide a certain feel for the room, and one of such is a tapestry weave using metal frame loom as an amateur.</p><p>Tapestry has been traced all the way back to the bronze age. Tapestries have been used for many end uses but the usage of tapestry on a metal frame loom to weave a three-dimensional work is not common.</p><p>Tapestry in the work of textile sculpture, especially using metal frame loom is not common. This metal frame loom is used to show the movement of the animal, the shapes and also brings out the beauty of the animal to make it look real. As the researcher has been able to weave directly on a metal frame loom and has been able to achieve a tapestry weave of a giraffe in three dimensions.</p><h2>Statement of problem</h2><p>Textile sculpture (three-dimensional) weaving achieved through the tapestry are not highly recognized.</p><h2>Aims and Objectives</h2><p>Using tapestry and rug knotted technique, to depict textile sculptures with the metal frame loom (three-dimensional) that can be used as a decorative piece.</p><p>To broaden the mind of designers on new methods they can achieve through exploring. To also show that tapestries can not only be used as wall hangings alone but can also serve as a means of a decorative piece.</p><h2>Scope of Study</h2><p>The study involves the use of a metal frame loom for weaving in the creation of textile sculpture in three-dimensional forms. It also involves the careful combination of tapestry and rug knot weave with the metal frame loom.</p><h2>Significance of Study</h2><p>Tapestry is mostly used as wall hangings but in this case of study, it is used as a textile sculpture in decorating a room, office for aesthetic and educational purpose. This project also makes the researcher self-employed having known the rudiments of tapestry making, thereby enhancing the growth of entrepreneurial skills the researcher has built on, and also greatly affecting the society.</p> <br><p></p>

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