ARTISTIC ELEMENTS IN EKPE MASQUERADE

 

Table Of Contents


Chapter ONE

INTRODUCTION

  • 1.1Introduction
  • 1.2Background of Study
  • 1.3Problem Statement
  • 1.4Objective of Study
  • 1.5Limitation of Study
  • 1.6Scope of Study
  • 1.7Significance of Study
  • 1.8Structure of the Research
  • 1.9Definition of Terms

Chapter TWO

LITERATURE REVIEW

  • 2.1Historical Evolution of Ekpe Masquerade
  • 2.2Cultural Significance of Ekpe Masquerade
  • 2.3Artistic Elements in Ekpe Masquerade Costumes
  • 2.4Symbolism in Ekpe Masquerade Performances
  • 2.5Rituals and Ceremonies Associated with Ekpe Masquerade
  • 2.6Influence of Ekpe Masquerade on Contemporary Art
  • 2.7Gender Roles in Ekpe Masquerade
  • 2.8Ekpe Masquerade and Community Identity
  • 2.9Ekpe Masquerade Music and Dance
  • 2.10Comparison of Ekpe Masquerade with Other Masquerade Traditions

Chapter THREE

RESEARCH METHODOLOGY

  • 3.1Research Design and Methodology
  • 3.2Sampling Techniques
  • 3.3Data Collection Methods
  • 3.4Data Analysis Procedures
  • 3.5Ethical Considerations
  • 3.6Validity and Reliability
  • 3.7Research Limitations
  • 3.8Researcher's Bias

Chapter FOUR

DATA PRESENTATION AND ANALYSIS

  • 4.1Overview of Findings
  • 4.2Artistic Interpretations of Ekpe Masquerade
  • 4.3Community Perceptions of Ekpe Masquerade
  • 4.4Impact of Ekpe Masquerade on Cultural Preservation
  • 4.5Challenges Faced by Ekpe Masquerade Practitioners
  • 4.6Recommendations for Sustaining Ekpe Masquerade
  • 4.7Future Research Directions
  • 4.8Comparison of Research Findings with Existing Literature

Chapter FIVE

SUMMARY, CONCLUSION AND RECOMMENDATIONS

  • 5.1Summary of Findings
  • 5.2Conclusion
  • 5.3Implications for Future Research
  • 5.4Contribution to Knowledge
  • 5.5Recommendations for Further Study

Project Abstract

<p> This project report has been systematically organized to facilitate learning and build life skills, and varied activities are incorporated to make the process enjoyable. It also drew from published works of Art history, African culture and Art methodology, to educate and inform the public on the typical African culture that involves masquerade. <br>The researcher has also drawn the attention of upcoming researchers to the reawakening of the African art through realism. I hope that this text will be accessed and regarded as achieving my “ aims” at list, to some extent <br></p>

Project Overview

<p> <strong>1.1 BACKGROUND HISTORY OF EKPE </strong><br><strong>MASQUERADE IN OHAFIA </strong><br>Ekpe masquerade is a popular masquerade among the Rivers, cross – river and Abia state of the federal republic of Nigeria. <br>According to the research made on the history of Ekpe masquerade it convincingly provide on specific date on when the Ekpe masquerade tradition started. <br>Hence the fact that Ekpe masquerade tradition has lasted for thousands of years still masks the topic a crucial one to be studied. <br>Several researcher conducted recently have proven originator or root of this tradition to be the Efik speaking people of cross river state, usually populated in the capital, calaba. <br>Nde Ohafia or Ohafia people Assimilated the Igba Ekpe (Ekpe festival) through their migration from Ndoni to Andoni as taught by the Ohafia folklore. <br>The research traced the origin of Ohafia propel as rebels of Owan, Benin Kingdom in the present Edo state of Nigeria. Their ancestors waged war against the authority they set off to settle in Ndoni. Ndoni is in Delta state while Andoni is in River state From Andoni the journey took through Mben, Isieke, Louur Ibeku, Bende, Ozu Abam and then to where we now call Ohafia. <br>The history has notified the Nde Ohafia to have assimilated the culture of Igba Ekpe from their host (Andoni). <br>For many years now, Nde Ohafia has retained the Igba Ekpe or Ekpe festival to mark their Age grade system in their various villages that make up the six autonomous communities are Ama <br>The village are specifed under their respective <br>Autonomous communities for a clear understanding <br>(1) Ama Ukwu Amangwu (capital) <br>(2) Ania <br>Abia <br>Akanu <br>Amankwu <br>Isingwu<br>Ndi Uduam Awoke <br>The capital is Abia. The name is acronym of the village. <br><strong>3. EBEM OHA</strong><br><strong>4. ISIAMA </strong><br>EBEM (Capital) Amaekpu <br>Ihenta Elu (the capital of Ohafial as well as <br>Ndi Amogu Ndi Anyia Orie (Extinct Ndi Okala the capitia of Isama Ndi Nku <br>Ndi Uduma Ukwu Nkwebi Obro, Okigwe <br><strong>5. OHAOFIA OHON AKU </strong><br>Amkue Okon Asaga Eziafor Ndi Ibe Ndi Orieke <br>The surrounding communities such as Arochukwu, Afikpo, Nkoro, Abirba, Item and Igbere have village with similar names. <br>The Age groups that celebrate the Igba Ekpe or Ekpe festival among the 25 village are under Listed. <br>1. Uke Abiriba <br>2. Uke Mekwaeme <br>3. Uke Oakome <br>4. Uke Amasiri <br>5. Uke Georfe <br>6. Uke Bianko <br>7. Uke Amogu <br>8. Uke Enyi <br>9. Uke ndenyi <br>10. Uke London <br>11. Uke Ozurumba <br>12. Uke Amekpu <br>13. Uke Damba <br>14. Uke <br>These are but few Age groups in Ohaofia communities. <br></p>

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