<p>Table of Contents:<br><br>1. Introduction<br>&nbsp; - Overview of French Poetry and the Avant-Garde Movement<br>&nbsp; - Significance of the Study<br>&nbsp; - Methodology<br><br>2. Precursors of the Avant-Garde in French Poetry<br>&nbsp; - Symbolism and Decadence<br>&nbsp; - Influence of Baudelaire and Rimbaud<br>&nbsp; - Introduction to Experimental Techniques<br><br>3. Surrealism and Dadaism: Subverting Language and Meaning<br>&nbsp; - André Breton and the Surrealist Manifesto<br>&nbsp; - Tristan Tzara and Dadaist Poetry<br>&nbsp; - Automatic Writing and Collage Techniques<br><br>4. Concrete Poetry and Visual Experimentation<br>&nbsp; - Origins of Concrete Poetry in France<br>&nbsp; - Poetic Typography and Spatial Arrangement<br>&nbsp; - Interplay of Text and Image<br><br>5. Oulipo and Constraint-Based Poetry<br>&nbsp; - Founding Principles of Oulipo<br>&nbsp; - Constraints as Creative Catalysts<br>&nbsp; - Examples of Oulipian Poetics<br><br>6. Contemporary Avant-Garde Poetics in France<br>&nbsp; - Postmodernism and Fragmentation<br>&nbsp; - Digital Poetry and Hypertextual Narratives<br>&nbsp; - Performance Poetry and Spoken Word<br><br>7. Conclusion<br>&nbsp; - Recapitulation of Findings<br>&nbsp; - Implications for Future Research<br>&nbsp; - Closing Remarks<br><br><br></p>