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Impact of pornographic films on nigerian youths

 

Table Of Contents


Chapter ONE

1.1 Introduction
1.2 Background of Study
1.3 Problem Statement
1.4 Objective of Study
1.5 Limitation of Study
1.6 Scope of Study
1.7 Significance of Study
1.8 Structure of the Research
1.9 Definition of Terms

Chapter TWO

2.1 Overview of Pornographic Films
2.2 History of Pornographic Films
2.3 Effects of Pornographic Films on Youths
2.4 Societal Perceptions of Pornographic Films
2.5 Legal Perspectives on Pornographic Films
2.6 Psychological Impact of Pornographic Films
2.7 Cultural Influences of Pornographic Films
2.8 Educational Approaches to Addressing Pornographic Films
2.9 Technological Advancements in Pornographic Films
2.10 Global Trends in Pornographic Films

Chapter THREE

3.1 Research Methodology Overview
3.2 Research Design
3.3 Sampling Techniques
3.4 Data Collection Methods
3.5 Data Analysis Procedures
3.6 Ethical Considerations
3.7 Validity and Reliability
3.8 Limitations of the Methodology

Chapter FOUR

4.1 Overview of Research Findings
4.2 Demographic Analysis
4.3 Impact Assessment of Pornographic Films
4.4 Comparison with Previous Studies
4.5 Recommendations for Action
4.6 Implications for Policy
4.7 Future Research Directions
4.8 Summary of Key Findings

Chapter FIVE

5.1 Conclusion and Summary
5.2 Recap of Objectives
5.3 Discussion of Contributions
5.4 Practical Implications
5.5 Areas for Further Exploration

Project Abstract

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Project Overview

1.1              Background of the Study

This study “Impact of Pornographic Materials on Youths” aims at identifying the influence of pornographic materials on the youth, with particular emphasis on the youths in University of Nigeria Nsukka. The study will help to ascertain whether pornographic materials have adverse effect on the moral behaviour of youths. However, this study will be narrowed down to pornographic films only.

In view of the foregoing, films began in the minds of people who came long before the film pioneers themselves. The attempt to capture and recreate motion can be traced to when civilization began. The cave drawing which showed a horse with eight legs, the fleeting arrow from a hunter‟s bow and even carefully detailed drawing of kings with one foot outstretched suggest motion.

Bittner (1989) said that history is somewhat not clear as to who deserved the glory of inventing still motion pictures, but that William Dickson and Thomas Edison were associated with the efforts to create motion pictures.

The earliest forms of pornographic films were seen in France during the 1920s. The development in France brought about fun and all sorts of condemnation from the public. For instance, Dellu cinema owner and also French man said that the exhibition of such pornographic films contributed to melancholy, fatal condition, social and other negative attitudes among the people.


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