Impact of pornographic films on nigerian youths
Table Of Contents
Chapter ONE
1.1 Introduction1.2 Background of Study
1.3 Problem Statement
1.4 Objective of Study
1.5 Limitation of Study
1.6 Scope of Study
1.7 Significance of Study
1.8 Structure of the Research
1.9 Definition of Terms
Chapter TWO
2.1 Overview of Pornographic Films2.2 Historical Perspective on Pornographic Films
2.3 Effects of Pornographic Films on Society
2.4 Impact of Pornographic Films on Youths
2.5 Psychological Effects of Viewing Pornographic Films
2.6 Societal Views on Pornographic Films
2.7 Regulation of Pornographic Films
2.8 Ethical Considerations in the Production of Pornographic Films
2.9 Cultural Perspectives on Pornographic Films
2.10 Comparison of Pornographic Films in Different Countries
Chapter THREE
3.1 Research Design3.2 Sampling Methods
3.3 Data Collection Techniques
3.4 Data Analysis Procedures
3.5 Ethical Considerations
3.6 Research Instrumentation
3.7 Reliability and Validity
3.8 Limitations of the Research Methodology
Chapter FOUR
4.1 Analysis of Data Collected4.2 Interpretation of Findings
4.3 Comparison of Research Results with Literature Review
4.4 Identification of Patterns and Trends
4.5 Discussion on Key Findings
4.6 Recommendations for Future Research
4.7 Implications for Policy and Practice
4.8 Suggestions for Further Study
Chapter FIVE
5.1 Summary of Findings5.2 Conclusions Drawn from the Study
5.3 Contributions to Existing Knowledge
5.4 Practical Implications
5.5 Recommendations for Action
5.6 Reflections on the Research Process
5.7 Areas for Future Research
5.8 Closing Remarks and Final Thoughts
Project Abstract
No response received.Project Overview
1.1 Background of the Study
This study “Impact of Pornographic Materials on Youths” aims at identifying the influence of pornographic materials on the youth, with particular emphasis on the youths in University of Nigeria Nsukka. The study will help to ascertain whether pornographic materials have adverse effect on the moral behaviour of youths. However, this study will be narrowed down to pornographic films only.
In view of the foregoing, films began in the minds of people who came long before the film pioneers themselves. The attempt to capture and recreate motion can be traced to when civilization began. The cave drawing which showed a horse with eight legs, the fleeting arrow from a hunter‟s bow and even carefully detailed drawing of kings with one foot outstretched suggest motion.
Bittner (1989) said that history is somewhat not clear as to who deserved the glory of inventing still motion pictures, but that William Dickson and Thomas Edison were associated with the efforts to create motion pictures.
The earliest forms of pornographic films were seen in France during the 1920s. The development in France brought about fun and all sorts of condemnation from the public. For instance, Dellu cinema owner and also French man said that the exhibition of such pornographic films contributed to melancholy, fatal condition, social and other negative attitudes among the people.
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