A modernist appraisal of chimamanda ngozi adichie’s purple hibiscus and chinua achebe’s anthills of the savannah
Table Of Contents
Chapter ONE
1.1 Introduction1.2 Background of Study
1.3 Problem Statement
1.4 Objective of Study
1.5 Limitation of Study
1.6 Scope of Study
1.7 Significance of Study
1.8 Structure of the Research
1.9 Definition of Terms
Chapter TWO
2.1 Overview of Modernism in Literature2.2 Theoretical Frameworks in Modernist Literature
2.3 Modernist Techniques and Themes
2.4 Historical Context of Modernism
2.5 Modernism in African Literature
2.6 Critical Reception of Modernist Works
2.7 Influence of Modernism on Contemporary Writing
2.8 Comparative Analysis of Adichie and Achebe's Works
2.9 Themes in "Purple Hibiscus" and "Anthills of the Savannah"
2.10 Character Development in Modernist Literature
Chapter THREE
3.1 Research Design and Approach3.2 Data Collection Methods
3.3 Sampling Techniques
3.4 Data Analysis Procedures
3.5 Ethical Considerations
3.6 Research Limitations
3.7 Justification of Methodological Choices
3.8 Validity and Reliability of Research
Chapter FOUR
4.1 Overview of Findings4.2 Analysis of Themes in "Purple Hibiscus" and "Anthills of the Savannah"
4.3 Character Development and Modernist Techniques
4.4 Symbolism and Imagery in the Novels
4.5 Narrative Structure and Point of View
4.6 Cultural and Societal Contexts
4.7 Reader Response and Interpretations
4.8 Comparison of Authors' Writing Styles
Chapter FIVE
5.1 Summary of Findings5.2 Conclusion and Interpretation of Results
5.3 Implications for Literary Studies
5.4 Recommendations for Future Research
5.5 Contributions to Modernist Literature
Project Abstract
The modernist era as one of the epochs in literature has been attributed to the West by many people. Also, it is perceived that features of long gone eras cannot be found in works of the 21st century. It is in this light that this research has attempted to situate African writers within the modernist foldto show that modernismis not restricted to the West using two texts ChimamandaNgoziAdichie’sPurple Hibiscus (2003) and Chinua Achebe’s Anthills of the Savannah (1987). The texts have also been selected to determine whether the literary tenets of an older generation can still find expression in works of contemporary literature. The work has investigated the features of modernist writings in the two novels and proved that though modernism is a literary tradition of the 20th century, writers of the 21st century still employ modernist techniques, both as regards to themes and to narrative techniques in their works. Furthermore, the research has shown that modernism and any other literary trend for that matter, is not an exclusive preserve of the West. This is why it is possible to deploy such techniques in African novels as Achebe and Adichie have done.
Project Overview
The modernist era as one of the epochs in literature has been attributed to the West by many people. Also, it is perceived that features of long gone eras cannot be found in works of the 21st century. It is in this light that this research has attempted to situate African writers within the modernist foldto show that modernismis not restricted to the West using two texts: ChimamandaNgoziAdichie’sPurple Hibiscus (2003) and Chinua Achebe’s Anthills of the Savannah (1987). The texts have also been selected to determine whether the literary tenets of an older generation can still find expression in works of contemporary literature. The work has investigated the features of modernist writings in the two novels and proved that though modernism is a literary tradition of the 20th century, writers of the 21st century still employ modernist techniques, both as regards to themes and to narrative techniques in their works. Furthermore, the research has shown that modernism and any other literary trend for that matter, is not an exclusive preserve of the West. This is why it is possible to deploy such techniques in African novels as Achebe and Adichie have done.
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