Entertainment Industry Economics: A Guide for Financial Analysis
Table Of Contents
Chapter ONE
1.1 Introduction1.2 Background of Study
1.3 Problem Statement
1.4 Objective of Study
1.5 Limitation of Study
1.6 Scope of Study
1.7 Significance of Study
1.8 Structure of the Research
1.9 Definition of Terms
Chapter TWO
2.1 Overview of Entertainment Industry Economics2.2 Historical Development of Entertainment Industry
2.3 Economic Theories in Entertainment Industry
2.4 Financial Analysis in Entertainment Industry
2.5 Market Structure of Entertainment Industry
2.6 Revenue Streams in Entertainment Industry
2.7 Cost Structures in Entertainment Industry
2.8 Investment Trends in Entertainment Industry
2.9 Risk Management in Entertainment Industry
2.10 Global Trends in Entertainment Industry
Chapter THREE
3.1 Research Methodology Overview3.2 Research Design and Approach
3.3 Data Collection Methods
3.4 Sampling Techniques
3.5 Data Analysis Methods
3.6 Validity and Reliability
3.7 Ethical Considerations
3.8 Limitations of the Methodology
Chapter FOUR
4.1 Overview of Findings4.2 Financial Performance Analysis
4.3 Market Trends Analysis
4.4 Investment Opportunities Evaluation
4.5 Risk Assessment and Management Strategies
4.6 Recommendations for Industry Players
4.7 Implications for Policy and Regulation
4.8 Future Research Directions
Chapter FIVE
5.1 Conclusion and Summary5.2 Recap of Research Objectives
5.3 Key Findings Review
5.4 Contributions to Knowledge
5.5 Practical Implications
5.6 Recommendations for Future Action
Project Abstract
ABSTRACT
The entertainment industry is one of the largest sectors of the U.S. economy and is in fact becoming one of the most prominent globally as well, in movies, music, television programming, advertising, broadcasting, cable, casino gambling and wagering, publishing performing arts, sports, theme parks, toys and games. The eighth edition of Entertainment Industry Economics differs from its predecessors by inclusion of a new section on the legal aspects and limitations common to all such “experience” industries, reference to the emerging field of the psychology of entertainment, partial restructuring and expansion of the music chapter, enhancement of the section on advertising, and broadening of the coverage in the gaming and wagering chapter. The result is a comprehensive, up-to-date reference guide on the economics, financing, production and marketing of entertainment in the United States and overseas, that will interest investors, business executives, accountants, lawyers and arts administrators, and general readers will find that this book offers an invaluable guide to how entertainment industries operate. © Harold L. Vogel 1986, 1990, 1994, 1998, 2001, 2004, 2007, 2011
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