Thesis Abstract

Abstract
The integration of technology in live performance has become a prevalent trend in contemporary Theatre Art, offering innovative ways to enhance audience engagement and storytelling. This thesis explores the intersection of technology and live performance in Theatre Art, aiming to understand the implications, challenges, and opportunities that arise from this integration. The study delves into the various forms of technology used in live performance, including virtual reality, augmented reality, projection mapping, and interactive media, and examines how these technologies influence the creative process and audience experience. The research begins with an introduction that sets the context for the study, followed by a detailed background that traces the evolution of technology in Theatre Art. The problem statement identifies the gaps in existing literature and practice, highlighting the need for a comprehensive examination of the intersection of technology and live performance. The objectives of the study are outlined to guide the research process, while the limitations and scope of the study frame the boundaries and focus areas. A thorough literature review in Chapter Two explores existing scholarship on technology in live performance, highlighting key themes, trends, and debates in the field. The review covers topics such as the impact of technology on storytelling, audience immersion, performer-audience interaction, and the role of technology in redefining the boundaries of live performance. Chapter Three details the research methodology employed in this study, encompassing research design, data collection methods, sample selection, and data analysis techniques. The chapter outlines the steps taken to investigate the intersection of technology and live performance, providing a transparent and rigorous approach to generating insights and findings. Chapter Four presents a comprehensive discussion of the research findings, analyzing the implications of technology on live performance in Theatre Art. The chapter examines case studies, interviews with practitioners, and audience feedback to elucidate the ways in which technology enhances or challenges traditional practices in live performance. The discussion delves into issues of accessibility, aesthetics, interactivity, and narrative coherence in technologically mediated performances. Finally, Chapter Five offers a conclusion and summary of the project thesis, synthesizing the key findings and insights generated from the research. The conclusion reflects on the implications of the study for Theatre Art practice and theory, suggesting avenues for future research and practice in this dynamic and evolving field. This thesis contributes to a deeper understanding of the intersection of technology and live performance in Theatre Art, shedding light on the transformative potential of technology in shaping the future of performance practice and audience engagement. Through a multidisciplinary approach that bridges theory and practice, this study offers valuable insights for artists, scholars, and practitioners seeking to explore new horizons in contemporary Theatre Art.

Thesis Overview