Thesis Abstract

Abstract
This thesis investigates the dynamic interaction between traditional and contemporary theatre practices within the context of a globalized world. The study analyzes how traditional forms of theatre have evolved and adapted to contemporary influences, as well as how modern theatrical techniques have incorporated elements of traditional performance styles. By exploring this intersection, the research aims to deepen our understanding of the complexities and richness of theatre in a globalized society. The introduction sets the stage by providing an overview of the topic and highlighting the significance of studying the convergence of traditional and contemporary theatre practices. The background of the study delves into the historical evolution of theatre and the impact of globalization on artistic expressions. The problem statement identifies the gaps in existing research and underscores the need for a comprehensive examination of this intersection. The objectives of the study are outlined to guide the research process, including investigating the factors driving the fusion of traditional and contemporary theatre, examining the challenges and opportunities presented by this intersection, and exploring the implications for cultural preservation and innovation. The limitations of the study are acknowledged, such as constraints on data availability and the subjective nature of artistic analysis. The scope of the study is defined to focus on select traditional and contemporary theatre forms from different regions around the world, aiming to provide a comparative analysis of their practices and performances. The significance of the study lies in its potential to contribute to the fields of theatre studies, cultural studies, and globalization studies by offering new insights into the evolving landscape of theatrical expressions. The structure of the thesis is outlined to provide a roadmap for the reader, detailing the organization of the chapters and the flow of the research. Definitions of key terms are provided to clarify the terminology used throughout the thesis, ensuring a common understanding of concepts and themes discussed. The literature review critically examines existing scholarship on traditional and contemporary theatre, highlighting key theories, methodologies, and debates in the field. By synthesizing diverse perspectives, the review sets the stage for the empirical research conducted in this study. The research methodology chapter details the research design, data collection methods, sampling techniques, and analytical frameworks employed in the study. From archival research to field observations, the methodology section elucidates the process of investigating the intersection of traditional and contemporary theatre practices. The discussion of findings chapter presents the empirical results of the study, showcasing the similarities, differences, and innovations observed in traditional and contemporary theatre performances. Through in-depth analysis and interpretation, this chapter unpacks the implications of the findings for understanding the evolving nature of theatre in a globalized context. In the conclusion and summary chapter, the key findings, implications, and contributions of the study are synthesized to offer a comprehensive overview of the research outcomes. Recommendations for future research and practical applications in the field of theatre are also provided, underscoring the ongoing relevance and significance of exploring the intersection of traditional and contemporary theatre practices in a globalized world. In conclusion, this thesis offers a nuanced exploration of the dynamic interplay between traditional and contemporary theatre practices, shedding light on the transformative power of cultural exchange and innovation in the performing arts. By bridging the past and the present, tradition and innovation, this research contributes to a deeper appreciation of the diverse and evolving nature of theatre in a globalized world.

Thesis Overview