Thesis Abstract

**Abstract
** This thesis investigates the integration of virtual reality (VR) technology in theatre performances, aiming to explore the potential benefits and challenges associated with this innovative approach. The utilization of VR in theatre opens up new possibilities for enhancing audience engagement, expanding creative boundaries, and redefining traditional performance experiences. Through an in-depth analysis of existing literature, this study examines the theoretical foundations and practical applications of VR technology in the context of theatre arts. The research begins with a comprehensive introduction that sets the stage for the exploration of VR technology in theatre performances. The background of the study delves into the evolution of both VR technology and theatre, highlighting their intersecting trajectories and the emergence of digital storytelling platforms. The problem statement identifies the gaps in current research and practice, emphasizing the need for a deeper understanding of the implications of incorporating VR in live performances. The objectives of the study are outlined to provide a clear direction for the research process, focusing on investigating the impact of VR on audience immersion, actor training, set design, and narrative structure in theatre productions. The limitations and scope of the study are detailed to establish the parameters within which the research is conducted, acknowledging potential constraints and defining the boundaries of the investigation. The significance of the study is underscored by its potential to contribute to the advancement of both theatre arts and VR technology, offering insights into the transformative power of digital tools in live performance contexts. The structure of the thesis is outlined to guide the reader through the subsequent chapters, providing a roadmap of the research methodology, literature review, findings discussion, and concluding remarks. The literature review chapter synthesizes existing scholarship on VR technology in theatre, drawing on a diverse range of sources to analyze the theoretical frameworks and practical applications of this innovative approach. Ten key themes are identified and explored in depth, shedding light on the opportunities and challenges inherent in integrating VR into traditional theatre practices. The research methodology chapter outlines the approach taken to investigate the use of VR in theatre performances, detailing the research design, data collection methods, sampling techniques, and data analysis procedures. Eight key components of the research methodology are elaborated upon to provide a comprehensive overview of the empirical study conducted. The discussion of findings chapter presents a detailed analysis of the data collected during the research process, examining the implications of incorporating VR technology in theatre performances from multiple perspectives. The findings are discussed in relation to the research objectives, highlighting the insights gained and the potential implications for future practice and scholarship. In conclusion, this thesis offers a nuanced exploration of the use of virtual reality technology in theatre performances, highlighting the opportunities and challenges associated with this innovative approach. By bridging the gap between traditional theatre practices and cutting-edge digital technologies, this research contributes to the ongoing dialogue surrounding the evolution of live performance experiences in the digital age.

Thesis Overview