Home / Theatre Art / A CRITICAL ANALYSIS OF PRETEXT, TEXT AND CONTEXT IN THE STAGE PRODUCTION OF DEATH AND THE KING’S HORSEMAN

A CRITICAL ANALYSIS OF PRETEXT, TEXT AND CONTEXT IN THE STAGE PRODUCTION OF DEATH AND THE KING’S HORSEMAN

 

Table Of Contents


Chapter ONE

1.1 Introduction
1.2 Background of Study
1.3 Problem Statement
1.4 Objective of Study
1.5 Limitation of Study
1.6 Scope of Study
1.7 Significance of Study
1.8 Structure of the Research
1.9 Definition of Terms

Chapter TWO

2.1 Overview of Literature Review
2.2 Theoretical Framework
2.3 Conceptual Framework
2.4 Historical Perspectives
2.5 Current Trends
2.6 Empirical Studies
2.7 Critical Analysis
2.8 Identified Gaps
2.9 Methodological Approaches
2.10 Summary of Literature Review

Chapter THREE

3.1 Research Methodology Overview
3.2 Research Design
3.3 Data Collection Methods
3.4 Sampling Techniques
3.5 Data Analysis Procedures
3.6 Ethical Considerations
3.7 Validity and Reliability
3.8 Limitations of Methodology

Chapter FOUR

4.1 Overview of Findings
4.2 Descriptive Analysis
4.3 Comparative Analysis
4.4 Interpretation of Results
4.5 Discussion of Results
4.6 Implications of Findings
4.7 Recommendations for Practice
4.8 Suggestions for Future Research

Chapter FIVE

5.1 Summary of Research
5.2 Conclusions Drawn
5.3 Contributions to Knowledge
5.4 Practical Implications
5.5 Recommendations for Action
5.6 Reflections on the Study
5.7 Areas for Future Research
5.8 Final Remarks

Thesis Abstract

Wole Soyinka has come to symbolise authority in Africa and world drama. His treatises and proclamations have attained such iconic reverence that his drama is often understood “only” by the wholesome acceptance of his “esteemed” authorial voice. Death and the King’s Horseman has been considered a masterpiece; Soyinka‟s iconic play, and studies of the text have also revealed such heavy dependence on the author’s perceptive intentions of his own work in the search for meaning. Seen largely from the author’s perspective, the play is largely interpreted as Soyinka‟s mythopoeic dramatization of African drama. Hence, there exists a lack of sustained reading of the text outside its threnodic essence. This study adopts a new historicist approach to reading the text by exploring the indeterminacy of meaning, the textualisation of history and myth in interpreting pretext, text and context while seeking meaning differently from the author‟s intention. It also deploys the receptionist paradigm, also known as reader response theory, in the search of meaning by drawing the audience into the process of interpretation and production of meaning. This is made possible by producing the play-text on stage in order to showcase the leit motif of clash of cultures as the major causative of conflict in the play while providing room for other meanings to display themselves, and for the audience to view. By also triangulating both qualitative and quantitative methods of research in the process of interpretation, a combination which proves highly rewarding and essential in theatre studies, the study made very insightful discoveries. One of the findings of this research is that drama, like other genres of literature, is a super-text; a pantheon of varied meanings. It also found that the mere reading of a play text limits its own true potentials and relying on the author’s intention doubly chokes the already constraining form of the dramatic text in dispensing meaning. Play production is a viable means and process of interpretation and meaning making in theatre because it brings about the physicalisation of characters, dialogue, music and other elements of semiotic appeal. As part of its findings, the study also discovers that interpretation is more enriching when it is a collective activity in reception than in conception. The study, however, debunks the allusion that Death and the King’s Horseman is not about the clash of cultures, because the “silences” in the text emphasise cultural assertions and differences as a major theme in the dramatic text and in its stage production. It is thus expected that interpretations of texts should not serve as foreclosures of meaning but as emergent voices and opinions subject to contexts of reading and meaning making which are contingent and arbitrary in themselves.

CONTENTS


Thesis Overview

Blazingprojects Mobile App

📚 Over 50,000 Research Thesis
📱 100% Offline: No internet needed
📝 Over 98 Departments
🔍 Thesis-to-Journal Publication
🎓 Undergraduate/Postgraduate Thesis
📥 Instant Whatsapp/Email Delivery

Blazingprojects App

Related Research

Theatre Art. 3 min read

Exploring the Influence of Technology on Contemporary Theatre Performances...

The project, "Exploring the Influence of Technology on Contemporary Theatre Performances," delves into the dynamic relationship between technology and...

BP
Blazingprojects
Read more →
Theatre Art. 4 min read

Exploring the use of digital technology in live theatre performances....

The project titled "Exploring the use of digital technology in live theatre performances" delves into the intersection of traditional live theatre and...

BP
Blazingprojects
Read more →
Theatre Art. 4 min read

Exploring the Use of Virtual Reality Technology in Enhancing Audience Engagement in ...

The project titled "Exploring the Use of Virtual Reality Technology in Enhancing Audience Engagement in Live Theatre Performances" aims to investigate...

BP
Blazingprojects
Read more →
Theatre Art. 3 min read

Exploring the Intersection of Technology and Traditional Performance in Contemporary...

The project titled "Exploring the Intersection of Technology and Traditional Performance in Contemporary Theatre Art" delves into the dynamic relation...

BP
Blazingprojects
Read more →
Theatre Art. 4 min read

Exploring the Use of Virtual Reality Technology in Theatre Performances...

The project titled "Exploring the Use of Virtual Reality Technology in Theatre Performances" aims to investigate the integration of virtual reality (V...

BP
Blazingprojects
Read more →
Theatre Art. 3 min read

Exploring the Use of Virtual Reality Technology in Theatre Performances...

The project titled "Exploring the Use of Virtual Reality Technology in Theatre Performances" delves into the innovative integration of virtual reality...

BP
Blazingprojects
Read more →
Theatre Art. 3 min read

Exploring the use of virtual reality technology in enhancing audience engagement in ...

The project "Exploring the use of virtual reality technology in enhancing audience engagement in live theatre performances" aims to investigate the po...

BP
Blazingprojects
Read more →
Theatre Art. 2 min read

Exploring the intersection of technology and traditional performance in contemporary...

The research project titled "Exploring the intersection of technology and traditional performance in contemporary theatre" aims to investigate the imp...

BP
Blazingprojects
Read more →
Theatre Art. 4 min read

Exploring the use of virtual reality technology in enhancing immersive theatrical ex...

The project titled "Exploring the use of virtual reality technology in enhancing immersive theatrical experiences" seeks to investigate the potential ...

BP
Blazingprojects
Read more →
WhatsApp Click here to chat with us