Thesis Abstract

Abstract
This thesis presents a comprehensive exploration of religious symbolism in Eastern and Western art, aiming to compare and contrast the ways in which different cultures represent and interpret spiritual beliefs through artistic expression. The research delves into the rich historical and cultural contexts of both regions to analyze the significance and interpretation of religious symbols in art. The study employs a multidisciplinary approach, drawing on theories from religious studies, art history, and cultural studies to provide a nuanced understanding of how religious symbolism is manifested in visual arts. Chapter 1 introduces the research topic, providing a background of the study and outlining the problem statement, objectives, limitations, scope, significance, structure of the thesis, and definition of key terms. The chapter sets the stage for the subsequent chapters by establishing the context and rationale for the comparative analysis of religious symbolism in Eastern and Western art. Chapter 2 consists of a comprehensive literature review that examines existing scholarship on religious symbolism in art, focusing on both Eastern and Western traditions. The review identifies key themes, trends, and debates in the field, offering insights into the ways in which religious symbols have been depicted and interpreted in diverse cultural contexts. Chapter 3 details the research methodology employed in the study, including the research design, data collection methods, sample selection, and data analysis techniques. The chapter also discusses ethical considerations and limitations of the research approach, providing a transparent account of the methodological framework guiding the study. Chapter 4 presents the findings of the comparative analysis of religious symbolism in Eastern and Western art, highlighting similarities, differences, and patterns in the representation of spiritual beliefs through visual imagery. The chapter offers a detailed discussion of key themes and motifs identified in the artworks examined, shedding light on the cultural, historical, and religious contexts that shape the interpretation of religious symbols. Chapter 5 concludes the thesis by summarizing the key findings, discussing their implications for the understanding of religious symbolism in art, and offering directions for future research in the field. The chapter reflects on the significance of the comparative study in advancing knowledge of cross-cultural exchanges and interactions in the realm of art and religion. Overall, this thesis contributes to the growing body of literature on religious symbolism in art by offering a comparative analysis of Eastern and Western artistic traditions. By exploring the diverse ways in which religious symbols are depicted and interpreted across cultures, the study enhances our understanding of the complex interplay between art, religion, and culture in shaping human beliefs and identities.

Thesis Overview