<p>Table of Contents:**<br><br>**

Chapter 1

: Introduction**<br>1.1 Emergence of Street Art in France<br>1.2 Evolution of Graffiti Culture<br>1.3 Purpose and Scope of the Study<br>1.4 Methodology and Research Framework<br>1.5 Structure of the Dissertation<br><br>**

Chapter 2

: Historical Roots of French Street Art**<br>2.1 Origins of Graffiti in France<br>2.2 Street Art Movements in the 20th Century<br>2.3 Influence of International Street Artists<br>2.4 Legal and Illegal Dimensions of Street Art<br>2.5 Evolution of Street Art Techniques and Styles<br><br>**

Chapter 3

: Socio-Political Context of French Street Art**<br>3.1 Street Art as a Form of Urban Resistance<br>3.2 Political Activism and Social Commentary<br>3.3 Representation of Marginalized Communities<br>3.4 Gender and Identity in Street Art<br>3.5 Interactions between Street Artists and Authorities<br><br>**

Chapter 4

: Creative Processes and Techniques**<br>4.1 Tools and Materials Used in Street Art<br>4.2 Stencil Art: From Banksy to Blek le Rat<br>4.3 Wheatpasting and Poster Art<br>4.4 Muralism and Large-scale Installations<br>4.5 Digital Innovations in Street Art<br><br>**

Chapter 5

: Impact and Reception of French Street Art**<br>5.1 Influence on Urban Aesthetics and Tourism<br>5.2 Cultural Appropriation and Gentrification<br>5.3 Conservation and Preservation Efforts<br>5.4 Street Art Festivals and Community Engagement<br>5.5 Future Directions and Challenges for Street Art in France <br></p>