Thesis Abstract

Abstract
This thesis investigates the application and significance of color theory in the realm of abstract painting. The study delves into the fundamental principles of color theory and their manifestation in abstract art, aiming to explore how artists utilize color to convey emotions, create visual impact, and evoke responses from viewers. Through a comprehensive analysis of existing literature, this research seeks to provide insights into the historical context, theoretical frameworks, and practical implications of color theory in abstract painting. Chapter One sets the foundation for the study, starting with an Introduction that outlines the research objectives and rationale. The Background of Study contextualizes the significance of color theory in art history and its evolution in abstract painting. Following this, the Problem Statement identifies gaps in existing research and highlights the need for further investigation. The Objectives of Study articulate the specific goals that this research aims to achieve, while the Limitations of Study and Scope of Study delineate the boundaries and focus areas of the research. The Significance of Study underscores the potential contributions of this research to the field of fine arts, and the Structure of the Thesis provides an overview of the chapter organization. Lastly, the Definition of Terms clarifies key concepts and terminology used throughout the thesis. Chapter Two comprises a comprehensive Literature Review that synthesizes existing scholarship on color theory, abstract art, and the intersection between the two. The review critically examines key themes, theories, and methodologies employed in previous studies, offering a holistic perspective on the subject matter. Chapter Three details the Research Methodology employed in this study, outlining the research design, data collection methods, sampling techniques, and data analysis procedures. The chapter also discusses ethical considerations and limitations that may impact the research process. Chapter Four presents an in-depth Discussion of Findings, where the empirical data and analysis are interpreted in relation to the research objectives. This chapter explores the implications of the findings, identifies patterns and trends, and offers insights into the practical applications of color theory in abstract painting. Chapter Five serves as the Conclusion and Summary of the thesis, summarizing the key findings, implications, and contributions of the research. This chapter also reflects on the research process, acknowledges limitations, and suggests avenues for future research in this area. In conclusion, this thesis offers a comprehensive exploration of color theory in abstract painting, shedding light on the intricate relationship between color, form, and expression in contemporary art practice. By bridging theoretical insights with practical applications, this research contributes to a deeper understanding of how color theory shapes artistic creation and perception in the realm of abstract painting.

Thesis Overview