<p> Table of Contents:**<br><br>**

Chapter 1

: Introduction**<br>- Background and rationale<br>- Statement of the problem<br>- Objectives of the study<br>- Scope and limitations<br>- Research methodology<br><br>**

Chapter 2

: Theoretical Framework**<br>- Conceptualizing public art<br>- Understanding tourism and place-making<br>- Theoretical perspectives on the relationship between public art, tourism, and place-making<br><br>**

Chapter 3

: Literature Review**<br>- Historical overview of public art and its role in urban development<br>- The impact of public art on tourism and visitor experiences<br>- Place-making through public art: theories and practices<br>- Challenges and considerations in integrating public art into tourism strategies<br><br>**

Chapter 4

: Case Studies**<br>- Case study 1: The High Line, New York City<br>- Case study 2: Melbourne Laneway Art<br>- Case study 3: Berlin Wall Murals<br>- Case study 4: The Bilbao Effect: Guggenheim Museum<br>- Case study 5: Singapore's Public Art Initiatives<br><br>**

Chapter 5

: Analysis and Discussion**<br>- The role of public art in enhancing tourist attractions<br>- The contribution of public art to place-making and community identity<br>- Economic impacts of public art on tourism destinations<br>- Challenges and opportunities in integrating public art into tourism strategies<br>- Recommendations for policymakers, urban planners, and artists<br><br>**Chapter 6: Conclusion**<br>- Summary of findings<br>- Implications for theory and practice<br>- Future research directions<br><br>**References**<br><br><br></p>