Home / English and Literary Studies / Images of social vices in contemporary nigerian poetry

Images of social vices in contemporary nigerian poetry

 

Table Of Contents


Chapter ONE

1.1 Introduction
1.2 Background of Study
1.3 Problem Statement
1.4 Objective of Study
1.5 Limitation of Study
1.6 Scope of Study
1.7 Significance of Study
1.8 Structure of the Research
1.9 Definition of Terms

Chapter TWO

2.1 Overview of Literature Review
2.2 Theoretical Framework
2.3 Historical Perspectives
2.4 Conceptual Framework
2.5 Previous Studies
2.6 Empirical Studies
2.7 Critiques of Existing Literature
2.8 Current Trends and Gaps
2.9 Methodological Approaches
2.10 Relevance to the Current Study

Chapter THREE

3.1 Research Methodology Overview
3.2 Research Design
3.3 Sampling Techniques
3.4 Data Collection Methods
3.5 Data Analysis Techniques
3.6 Research Ethics
3.7 Reliability and Validity
3.8 Limitations of Methodology

Chapter FOUR

4.1 Overview of Findings
4.2 Demographic Analysis
4.3 Theme Analysis
4.4 Comparative Analysis
4.5 Interpretation of Results
4.6 Discussion of Findings
4.7 Implications of Findings
4.8 Recommendations for Future Research

Chapter FIVE

5.1 Conclusion and Summary
5.2 Recap of Objectives
5.3 Key Findings Recap
5.4 Contributions to Knowledge
5.5 Practical Implications
5.6 Recommendations for Practice
5.7 Areas for Future Research
5.8 Final Thoughts

Thesis Abstract

As a result of social vices in our immediate environments this research work aims at bringing out how contemporary writers have reacted to the bad happening in the society, especially using Denja Abdullahi’s Mairogo and Jide Balogun’s The Desert in the river using sociological theory to investigate social vice that were present in the two texts and it is discovered that poetry is used as a means of achieving an egalitarian society.

Thesis Overview

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