Thesis Abstract

Abstract
Surrealism, an avant-garde artistic movement that emerged in the early 20th century, has had a profound impact on various art forms, including graphic design. This thesis explores the influence of Surrealism on contemporary graphic design practices, examining how Surrealist principles and aesthetics have shaped the visual language and conceptual framework of modern graphic design. The research delves into the historical background of Surrealism, its key characteristics, and its relevance to contemporary design practices. The study begins with an introduction that provides an overview of the research topic, followed by a detailed background of the study that traces the origins and evolution of Surrealism as an art movement. The problem statement highlights the need to investigate the impact of Surrealism on contemporary graphic design, setting the stage for the research objectives which aim to analyze the key elements of Surrealist art and their application in graphic design. The limitations and scope of the study are also discussed, along with the significance of the research in advancing our understanding of the relationship between Surrealism and graphic design. Chapter two presents a comprehensive literature review that examines existing scholarship on Surrealism and its influence on graphic design. The review identifies key themes, trends, and critical perspectives in the field, providing a theoretical framework for the study. Chapter three details the research methodology, outlining the research design, data collection methods, and analytical approaches used in the study. The chapter also discusses ethical considerations and limitations of the research process. Chapter four presents a detailed discussion of the findings, analyzing how Surrealist principles such as dream imagery, juxtaposition, and the subconscious mind have informed contemporary graphic design practices. The chapter explores case studies and examples of Surrealist-inspired designs, highlighting the innovative ways in which designers have incorporated Surrealist aesthetics into their work. Finally, chapter five offers a conclusion and summary of the thesis, drawing together the key findings and insights from the research. The conclusion reflects on the implications of the study for graphic design practice and theory, as well as suggesting avenues for further research in this area. Overall, this thesis contributes to a deeper understanding of the enduring influence of Surrealism on contemporary graphic design, shedding light on the creative processes and visual strategies that continue to resonate with designers today.

Thesis Overview